Hal Leonard Releases Scoring the Screen: The Secret Language of Film Music

Hal Leonard Releases Scoring the Screen: The Secret Language of Film Music

Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet only a few books in the category of film music actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music.

This is the first book since Roy M. Prendergast’s 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture.
The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music ‘means’ in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”
About the Author:

ANDY HILL (Nashville, TN) is a Grammy Award-winning motion picture music producer. From 1987 to 1996, he served as vice president of music production for Walt Disney Pictures. He developed and directed, from 2006 to 2011, the MFA in Music Composition for the Screen at Columbia College Chicago and oversaw the launch of the MA in Scoring for Film, Television and Video Games at the international campus of the Berklee College of Music. He is an industry advisor to the MA in Film Scoring at Pulse College, Dublin.

Available at Backwingstore.com
$34.99
Publisher: Hal Leonard Books
Format: Softcover
Page Count: 352
Dimensions: 7 X 10 inches
ISBN: 9781495073731
logo

Related posts

Katchafire release Seriously with 2024 tour plans

Katchafire release Seriously with 2024 tour plans

Two decades after their debut, Katchafire is breathing new life into their iconic Revival album with a fresh project, beginning with the release of “Seriously (Revived Version)” on November 15, just as they embark on their Australian tour. Reflecting on the song, singer and founding...

Tracktion release Myth 1.5 plugin synth update

Tracktion release Myth 1.5 plugin synth update

Tracktion Corporation has just rolled out a major free update for MYTH, the popular plugin from synth pioneer Dawesome. With over 200 fresh presets and several powerful enhancements, MYTH 1.5 brings new appeal to one of this year’s most sought-after synths. Originally released in April, MYTH...

Alt-pop Papercity new vid and tour, check out Sofa

Alt-pop Papercity new vid and tour, check out Sofa

PAPERCITY (Alex Hargreaves, Sam Edmonds, Jack Rollinson) have just unveiled the thrilling music video for their latest hit single Sofa, and it's a must-see! Directed by the band's lead singer and guitarist, Alex Hargreaves, who has also helmed videos for notable acts like Alien...